"Symphony No. 1 in D Major "Titan": IVe. Wieder vorwärts drängend" by Gustav Mahler, Leonard Bernstein, New York Philharmonic was released on 1967. The duration of Symphony No. 1 in D Major "Titan": IVe. Wieder vorwärts drängend is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Symphony No. 1 in D Major "Titan": IVe. Wieder vorwärts drängend's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benjamin Britten, André Previn, London Symphony Orchestra, Jaco Pastorius, Herbie Hancock, Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 1 in D Major "Titan" & Adagio from Symphony No. 10 in F-Sharp Minor" album is number 16 out of 22. On top of that, United States appears to be the country where this track was created. Symphony No. 1 in D Major "Titan": IVe. Wieder vorwärts drängend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": IVe. Wieder vorwärts drängend by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 7. Allegro - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | F♯ Minor | 2 | 11A | 133 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 0 | 7B | 78 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony No. 7 in C Major, Op. 105: Allegro molto moderato - Allegro moderato - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 81 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 178 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM |
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