"Two Insect Pieces for oboe and piano: II." by Benjamin Britten, Emmanuel Strosser, François Leleux was released on 1995. With Two Insect Pieces for oboe and piano: II. being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works for Oboe by François Leleux. The song's track number on the album is #23 out of 24 tracks. The popularity of Two Insect Pieces for oboe and piano: II. is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Two Insect Pieces for oboe and piano: II. by Benjamin Britten, Emmanuel Strosser, François Leleux has a tempo of 164 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Two Insect Pieces for oboe and piano: II. being at 164 BPM, the half-time would be 82 BPM with a double-time of 328 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E Minor | 0 | 9A | 63 BPM | ||
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
German Requiem, Op. 45: Selig sind, die da Leid tragen | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM |
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