"Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1994. The duration of Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Ravel: Ma Mère L'Oye; Boléro etc.". In this album, this song's track order is #3. Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Mozart: Flute Concerto No. 2 in D Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Claudio Abbado, Emmanuel Pahud, Berliner Philharmoniker | D Major | 1 | 10B | 123 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM |
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