Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "¿Por qué Se Ha de Mentir a la Gente?"' came out on December 3, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #15 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "¿Por qué Se Ha de Mentir a la Gente?"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "¿Por qué Se Ha de Mentir a la Gente?" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "¿Por qué Se Ha de Mentir a la Gente?" being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
Golondrina de Madrid: "Dicen Que Dicen, Niña, Que Van Diciendo" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
La Leyenda del Beso: Intermezzo | Reveriano Soutullo, Juan Vert, Bratislava Symphony Orchestra, David Hernando Rico | D Major | 1 | 10B | 115 BPM | ||
Le nozze di Figaro: Hai già vinta la causa? | Wolfgang Amadeus Mozart, Aurelio Scotto, Przemysław Baranek | E♭ Major | 1 | 5B | 172 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
No me dejes | Gente Pescaito, Federico Romero | A Major | 7 | 11B | 150 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM |
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