"Pictures At An Exhibition: Gnomus - Live" by Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado was released on January 1, 1994. The duration of Pictures At An Exhibition: Gnomus - Live is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Pictures At An Exhibition: Gnomus - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Elena Zaremba, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus, Pavel Kühn's "Mussorgsky: Pictures At An Exhibition" album is number 7 out of 20. Based on our statistics, Pictures At An Exhibition: Gnomus - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures At An Exhibition: Gnomus - Live by Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 1: Allegro maestoso (Totenfeier): Schnell | Gustav Mahler, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 1 | 4B | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 101 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM |
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