"Tristan und Isolde, WWV 90, Act III Scene 1: Bist du nun tot? Lebst du noch?" by Richard Wagner, Jochen Schmeckenbecher, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst was released on May 6, 2022. Since Tristan und Isolde, WWV 90, Act III Scene 1: Bist du nun tot? Lebst du noch? is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde, WWV 90 by Richard Wagner, Peter Seiffert, Nina Stemme, Stephen Milling, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst. The song's track number on the album is #7 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde, WWV 90, Act III Scene 1: Bist du nun tot? Lebst du noch? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90, Act III Scene 1: Bist du nun tot? Lebst du noch? by Richard Wagner, Jochen Schmeckenbecher, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tristan und Isolde, WWV 90, Act III Scene 1: Bist du nun tot? Lebst du noch? being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance V | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | D Major | 3 | 10B | 109 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Die Walküre / Dritter Aufzug: The Ride Of The Valkyries | Richard Wagner, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 80 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM |
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