- BPM
- 171
- Key
- D Major
- Camelot
- 10B
La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) - Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma, Mirella Freni, Thomas Schippers Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -18.941 dB
Summary
"La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo)" by Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma, Mirella Freni, Thomas Schippers was released on 2004. With this song being about 5 minutes long, at 4:53, "La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo)" by Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma, Mirella Freni, Thomas Schippers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo)" is a single. The popularity of La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) BPM
The tempo marking of La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) by Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma, Mirella Freni, Thomas Schippers is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | |
 | La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | |
 | I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | |
 | Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | |
 | The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | |
 | Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | F Minor | 1 | 4A | 167 BPM | |
 | Die Fledermaus (1997 Digital Remaster), Act 1: So bin ich arme Frau (Dialogue: Rosalinde, Alfred) | Johann Strauss II, Nicolai Gedda, Renate Holm, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Chor der Wiener Staatsoper in der Volksoper, Willi Boskovsky, Franz Gerstacker, Wiener Symphoniker | D Major | 3 | 10B | 102 BPM | |
 | Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | |
 | Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | |
 | Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Te guida a palma nobile (Drei Knaben) | Wolfgang Amadeus Mozart, Coro di Milano della RAI, Mario Petri, Elisabeth Schwarzkopf, Orchestra Sinfonica Nazionale della RAI di Milano, Alda Noni, Giuseppe Taddei, Nicolai Gedda, Plinio Clabassi, Rita Streich, Herbert von Karajan | A♭ Major | 1 | 4B | 103 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.3434779644012451
End: 1.3475542068481445