"Giselle: Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest...)" by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on November 3, 1994. Giselle: Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest...) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 1 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. In terms of popularity, Giselle: Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest...) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest...) by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | F Major | 2 | 7B | 68 BPM | ||
Suite in E Major, P. 51: II. Adagio | Ottorino Respighi, Slovak Radio Symphony Orchestra, Adriano | D Major | 1 | 10B | 55 BPM | ||
Raymonda, Op. 57: Act I - Pizzicato | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 0 | 10B | 104 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Othello Suite: Venice (Nocturne) | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | E Minor | 0 | 9A | 83 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Giselle: Act I: Allegretto pesante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B Major | 1 | 1B | 205 BPM |
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