Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer's '8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro)' came out on 2000. The duration of 8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro) is about 3 minutes long, at 3:29. Based on our data, "8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 32 in Dvorak: Slavonic Dances; Miniatures by Antonín Dvořák, Iván Fischer, Budapest Festival Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Slavonic Dances, Op. 72, B. 147: No. 3 in F Major (Allegro) by Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 2. Andante sostenuto e molto cantabile | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM | ||
Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
Piano Concerto No. 1 in F sharp minor, Op. 1: Allegro vivace | Sergei Rachmaninoff, Kun-Woo Paik, Vladimir Fedoseyev | F Minor | 1 | 4A | 79 BPM |
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