Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov made "Raymonda, Op. 57: Act I - Pizzicato" available on March 18, 1996. With Raymonda, Op. 57: Act I - Pizzicato being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Alexander Anissimov's "Glazunov, A.K.: Orchestral Works, Vol. 1 - Raymonda" album is number 14 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Raymonda, Op. 57: Act I - Pizzicato is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Raymonda, Op. 57: Act I - Pizzicato by Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
The Seasons | Alexander Glazunov, Orchestra of the Royal Opera House & Covent Garden, Barry Wordsworth | D Major | 2 | 10B | 65 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
3 Miniatures for Piano, Op. 42: 3. Waltz in D Major | Alexander Glazunov, Shura Cherkassky | F♯ Major | 0 | 2B | 67 BPM | ||
The Unforgettable Year 1919 Suite, Op. 89a: The Assault On The Red Hill, "Assault On Beautiful Gorky" | Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich | F Major | 2 | 7B | 103 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM |
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