"Apotheosis: Melanie's Death, Scarlett and Rhett, Tara (From "Gone With The Wind")" by Charles Gerhardt was released on 1974. Apotheosis: Melanie's Death, Scarlett and Rhett, Tara (From "Gone With The Wind") is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 11 out of 11 in Classic Film Scores: Gone With The Wind by Charles Gerhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Apotheosis: Melanie's Death, Scarlett and Rhett, Tara (From "Gone With The Wind") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Apotheosis: Melanie's Death, Scarlett and Rhett, Tara (From "Gone With The Wind") by Charles Gerhardt is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | G Major | 3 | 9B | 74 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Reverie (arr. for orchestra) | Anonymous , Claude Debussy, Minnesota Orchestra, Eiji Oue | F Major | 0 | 7B | 82 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
The Firebird: Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving … . | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 1 | 1B | 85 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM |
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