Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris's 'Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)' came out on November 9, 2009. With this song being about 5 minutes long, at 4:48, "Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)" by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Act I: Entree Of Basil, Scene Of Kitri & Basil (Minkus) | Mariinsky Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | ||
Giselle: Act II: Entree d'Hilarion scene et fugue des Wilis - Grand pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 126 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | E♭ Major | 5 | 5B | 120 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Sphären-Kläng, Op. 235 | Josef Strauss, Wiener Philharmoniker, Clemens Krauss | E♭ Major | 1 | 5B | 177 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Die Fledermaus: Ouvertüre | Herbert von Karajan, Wiener Philharmoniker | D Major | 2 | 10B | 46 BPM |
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