Josef Strauss, Wiener Philharmoniker, Clemens Krauss's 'Sphären-Kläng, Op. 235' came out on 2004. Since Sphären-Kläng, Op. 235 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wiener Philharmoniker, Clemens Krauss's "Joseph Strauss, Johann Strauss I & Johann Strauss II: Orchestral Works" album is number 10 out of 28. The popularity of Sphären-Kläng, Op. 235 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sphären-Kläng, Op. 235 by Josef Strauss, Wiener Philharmoniker, Clemens Krauss to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Die Clienten, Walzer, Op. 156 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz | G Major | 2 | 9B | 170 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
No. 4, Marcia all turca | Ludwig van Beethoven, Dennis Russell Davies, Mechthild Gessendorf, Roger Andrews, Joseph Flummerfelt, Orchestra of St. Luke's, New York Choral Artists | F Major | 2 | 7B | 99 BPM | ||
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Pizzicato-Polka | Johann Strauss II, Josef Strauss, Mariss Jansons, Wiener Philharmoniker | A Major | 1 | 11B | 179 BPM | ||
Petitionen, Walzer, Op. 153 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | C Major | 0 | 8B | 103 BPM |
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