"Les Puritains: "A te, o cara amor taiora"" by Luciano Pavarotti, Orchestra Sinfonica Nazionale Della RAI was released on November 17, 2010. Les Puritains: "A te, o cara amor taiora" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Nessun Dorma". In this album, this song's track order is #11. Les Puritains: "A te, o cara amor taiora" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Puritains: "A te, o cara amor taiora" by Luciano Pavarotti, Orchestra Sinfonica Nazionale Della RAI having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
Radetzky March, Op. 228 | Johann Strauss I, Győr Philharmonic Orchestra, Janos Sandor | A Major | 5 | 11B | 112 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Ah l'amuri | Alessandro Safina | E♭ Major | 4 | 5B | 71 BPM | ||
La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965 | Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario | B♭ Major | 3 | 6B | 67 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Madame Butterfly, Teil 3 | Madame Butterfly | D♭ Major | 1 | 3B | 84 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM |
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