Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario's 'La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965' came out on January 1, 2010. The duration of La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965 is about 3 minutes long, at 3:09. Based on our data, "La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 10 out of 115. On top of that, United States appears to be the country where this track was created. La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965 by Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nessun doma - Turandot | Giacomo Puccini, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | D Major | 4 | 10B | 86 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Serenata | Pietro Mascagni, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Minor | 2 | 6A | 86 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | E Major | 2 | 12B | 83 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Eteocle e Polinice: Che fiero costume | Giovanni Legrenzi, Luciano Pavarotti, John Wustman | A Minor | 2 | 8A | 90 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 1, Introduction - Gliding Dance of the Maidens | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 0 | 11B | 77 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM |
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