"Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante" by Pyotr Ilyich Tchaikovsky, Daniel Austrich, Cologne New Philharmonic Orchestra, Volker Hartung was released on December 7, 2018. Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Tchaikovsky: Violin Concerto in D Major, Op. 35 & Swan Lake Suite, Op. 20a". In this album, this song's track order is #2. In terms of popularity, Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante by Pyotr Ilyich Tchaikovsky, Daniel Austrich, Cologne New Philharmonic Orchestra, Volker Hartung having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces lyriques, Op. 54: IV. Notturno | Edvard Grieg, Mara Dobresco | C Major | 0 | 8B | 69 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Daniel Austrich, Cologne New Philharmonic Orchestra, Volker Hartung | F Major | 0 | 7B | 98 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
Piano Sonata in D, H.XVI No.37: 1. Allegro con brio | Joseph Haydn, Alfred Brendel | F Minor | 1 | 4A | 117 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM |
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