Leonard Bernstein, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra made "Candide / Act II: 19. The Pilgrims' Procession / Alleluia" available on January 1, 1991. The duration of Candide / Act II: 19. The Pilgrims' Procession / Alleluia is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Candide / Act II: 19. The Pilgrims' Procession / Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act II: 19. The Pilgrims' Procession / Alleluia's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Candide / Act II: 19. The Pilgrims' Procession / Alleluia by Leonard Bernstein, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux) | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 106 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico | Bedřich Smetana, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 93 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Serenade No. 2 in A Major for Small Orchestra, Op. 16: V. Rondo. Allegro | Johannes Brahms, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 136 BPM | ||
Slavonic March, Op. 31 - 2017 Remastered Version | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D♭ Major | 3 | 3B | 83 BPM | ||
"West Side Story" - Symphonic Dances: VI. Meeting Scene - Live | Leonard Bernstein, Los Angeles Philharmonic | A Minor | 0 | 8A | 92 BPM |
Section: 1.108461856842041
End: 1.1124267578125