"Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)" by Modest Mussorgsky, Leonard Bernstein, New York Philharmonic was released on 1962. With Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Leonard Bernstein's "Mussorgsky: Pictures at an Exhibition & Night on Bald Mountain" album is number 6 out of 16. In terms of popularity, Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux) by Modest Mussorgsky, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songfest: IV. "To What You Said ..." | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, Donald Gramm, John Reardon, National Symphony Orchestra Washington | B♭ Major | 0 | 6B | 109 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante - Live | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Major | 0 | 9B | 141 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 21: Chorale "Acknowledge Me, My Keeper" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | D♭ Major | 2 | 3B | 111 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VIII. General Dance of Enthusiasm and Apotheosis (Finale) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 6 | 6B | 86 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 83 BPM | ||
Sonata for Clarinet and Piano: I. Grazioso | Leonard Bernstein, Jon Manasse, Jon Nakamatsu | E Minor | 0 | 9A | 102 BPM | ||
Printemps (arr. H. Busser for orchestra): II. Modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A Major | 3 | 11B | 95 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
A White House Cantata / Part 1: The President Jefferson Sunday Luncheon March | Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | F Major | 4 | 7B | 93 BPM |
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