- BPM
- 77
- Key
- C Major
- Camelot
- 8B
Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." - Igor Stravinsky, Esa-Pekka Salonen Information
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 11%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 1%
- Loudness
- -23.45 dB
Summary
"Cantata: Ricercar II, Sacred History: "Tomorrow shall be..."" by Igor Stravinsky, Esa-Pekka Salonen was released on 1989. Since Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 163 in Esa-Pekka Salonen Conducts Stravinsky by Igor Stravinsky, Esa-Pekka Salonen. Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." BPM
The tempo marking of Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." by Igor Stravinsky, Esa-Pekka Salonen is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Cantata: Ricercar II, Sacred History: "Tomorrow shall be..." Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | |
 | Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Violin Concerto, Op. 36: III. Finale. Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 2 | 3B | 124 BPM | |
 | Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A Major | 2 | 11B | 94 BPM | |
 | The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | |
 | Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | |
 | Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7814991474151611
End: 0.7861616611480713