Pieter Jan Leusink, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel's 'III. Was Frag Ich Nach Der Welt BWV 94, (5) Recitativo • Choral (Basso): Die Welt Bekümmert Sich' came out on December 20, 2006. The duration of III. Was Frag Ich Nach Der Welt BWV 94, (5) Recitativo • Choral (Basso): Die Welt Bekümmert Sich is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. III. Was Frag Ich Nach Der Welt BWV 94, (5) Recitativo • Choral (Basso): Die Welt Bekümmert Sich's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Bach Cantatas (Complete) Part: 24 by Pieter Jan Leusink. Based on our statistics, III. Was Frag Ich Nach Der Welt BWV 94, (5) Recitativo • Choral (Basso): Die Welt Bekümmert Sich's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Was Frag Ich Nach Der Welt BWV 94, (5) Recitativo • Choral (Basso): Die Welt Bekümmert Sich by Pieter Jan Leusink, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Bassoon Concerto in E Minor, RV 484: II. Andante | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Courante Simble in A Minor, BuxWV 245 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: I. Allegro | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 3 | 3B | 92 BPM | ||
Meditation No. 5 | Alexander Därr | E♭ Major | 0 | 5B | 78 BPM | ||
Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM |
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