- BPM
- 77
- Key
- D Major
- Camelot
- 10B
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir - Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink Information
- Acousticness
- 85%
- Danceability
- 32%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 0%
- Loudness
- -29.267 dB
Summary
"I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir" by Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink had its release date on December 20, 2006. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 20 in Bach Cantatas (Complete) Part: 36 by Holland Boys Choir, Netherlands Bach Collegium. I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir BPM
The tempo marking of I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir by Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | II. Meine Seufzer, Meine Tränen BWV 13, Recitativo (Alto): Mein Liebster Gott | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Sytse Buwalda, Bas Ramselaar, Ruth Holton, Anneke Boeke, Johann Sebastian Bach, Pieter Jan Leusink | E Minor | 0 | 9A | 95 BPM | |
 | II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM | |
 | I. Ich Hab In Gottes Herz Und Sinn BWV 92, Aria (Basso): Das Brausen Von Den Rauhen Winden | Pieter Jan Leusink, Knut Schoch, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, D'amore, Frank Wakelkamp, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Ofer Frenkel | A Major | 2 | 11B | 172 BPM | |
 | Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge | F♯ Major | 1 | 2B | 102 BPM | |
 | Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 83 BPM | |
 | III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, (7) Choral (Coro): Herr Jesu Christ, Einiger Trost | Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Marcel Beekman, Marjon Strijk, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 76 BPM | |
 | Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | |
 | Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records