Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks's 'Missa Divi Xaverii, ZWV 12: Hosanna' came out on March 25, 2016. With Missa Divi Xaverii, ZWV 12: Hosanna being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Missa Divi Xaverii, ZWV 12 & Litaniae de Sancto Xaverio, ZWV 156 by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks. The song's track number on the album is #14 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Missa Divi Xaverii, ZWV 12: Hosanna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Divi Xaverii, ZWV 12: Hosanna by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa Divi Xaverii, ZWV 12: Hosanna being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Laudate pueri, HWV 237: III. A solis ortu | George Frideric Handel, Carolyn Sampson, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Stabat Mater in G Minor: VI. Eja Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D Major | 1 | 10B | 79 BPM | ||
Christus, Der Uns Selig Macht, Johannes Passion Bwv 245 | Nicol Matt, Johann Sebastian Bach, Robert Sagasser, Jörg Halobek, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Nordic Chamber Choir, Ute Petersilge, Heike Hümmer, Martina Rotbauer | B♭ Minor | 1 | 3A | 79 BPM | ||
Dixit Dominus, RV 595: Et in saecula saeculorum: (Allegro) | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 78 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Sonata for 2 Violins and Basso continuo in F Major: II. Allegro | Johann Georg Orschler, Collegium 1704 | E Minor | 0 | 9A | 137 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM |
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