Richard Deering, Flanders Recorder Quartet made "Fantasia" available on April 1, 2006. The duration of Fantasia is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Fantasia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Recorder Quartet: Early Italian Recorder Music & English Consort Music". In this album, this song's track order is #35. Based on our statistics, Fantasia's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fantasia by Richard Deering, Flanders Recorder Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): E, se mai voci | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 0 | 7A | 170 BPM | ||
Nigra sum - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 3. Nigra sum, sed formosa: Antiphon: Nigra sum - Nigra sum, sed formosa | Giovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert | D♭ Minor | 1 | 12A | 113 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
Lute Sonata No. 5 in G Major, WeissSW 5: VI. Menuet | Silvius Leopold Weiss, José Miguel Moreno | D♭ Major | 1 | 3B | 103 BPM | ||
Cancionero Musical de la Colombina: No. 48,, Dime triste coraçón | Francisco de la Torre, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 91 BPM |
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