François Couperin, Yasunori Imamura made "Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura)" available on January 1, 1993. The duration of Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #21 out of 30 tracks. In terms of popularity, Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) by François Couperin, Yasunori Imamura has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite En Mi Mineur: Sarabande, II.100 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 70 BPM | ||
Prelude | Francesca Torelli, Charles Mouton | E Major | 2 | 12B | 70 BPM | ||
Capirola : Qui tollis peccata mundi | Heringman | A Major | 0 | 11B | 76 BPM | ||
Fortune Laisse (Attaingnant) | Edward Martin | F Major | 1 | 7B | 86 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: VII. La belle Angloise Gigue | Charles Mouton, Anders Ericson | B Minor | 2 | 10A | 88 BPM | ||
Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | D♭ Major | 0 | 3B | 98 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: I. Prelude | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 93 BPM |
Section: 0.6623680591583252
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