Henry Purcell, Aradia Ensemble, Kevin Mallon's 'The Gordion Knot Unty'd, Z. 597: Overture' came out on March 25, 2008. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Purcell: Theatre Music, Vol. 1 - Amphitryon / Sir Barnaby Whigg / The Gordian Knot Unty'D / Circe". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gordion Knot Unty'd, Z. 597: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gordion Knot Unty'd, Z. 597: Overture by Henry Purcell, Aradia Ensemble, Kevin Mallon having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM | ||
Monteverdi: Madrigali, Libro VIII "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163: "Amor, dicea" | Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, L'Arpeggiata | A Minor | 1 | 8A | 136 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM |
Section: 0.6849856376647949
End: 0.6892073154449463