"Napoli: Act II: The sea spirit Golfo is enchanted by her beauty" by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Napoli: Act II: The sea spirit Golfo is enchanted by her beauty is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Napoli: Act II: The sea spirit Golfo is enchanted by her beauty's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Napoli: Act II: The sea spirit Golfo is enchanted by her beauty is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Napoli: Act II: The sea spirit Golfo is enchanted by her beauty by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
Samlede Orkesterværker Vol. 3: Pierrots Bluse Polka-mazurka Fra Suiten "Carnevalsglæder" (1856) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 4 | 11B | 81 BPM | ||
Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
Grainger: Mock Morris, "Room Music Tit-Bits, No. 1" (At fast jog trotting speed) | Percy Grainger, Sir Vivian Dunn, Light Music Society Orchestra | G Major | 2 | 9B | 92 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
Leben heißt genießen | Munich Radio Orchestra, Rundfunkorchester Des Südwestfunks, Orchester Des Raimundtheaters Wien | D Major | 4 | 10B | 159 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM |
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