Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke's 'Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester)' came out on 1971. The duration of Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) is about 3 minutes long, at 3:11. Based on our data, "Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 38 in Die Csárdásfürstin by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes. Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) by Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Martha · Oper in 4 Akten (1986 Digital Remaster), Vierter Akt: Lady! - Mylady! Treuer Freund! - Der Lenz ist gekommen (Nancy - Plumkett - Lady) | Friedrich von Flotow, Anneliese Rothenberger, Robert Heger, Bavarian State Orchestra | G Major | 2 | 9B | 119 BPM | ||
Offenbach: Pariser Leben: Akt V, Rondo "Um Mitternacht beginnt hier das Leben" | Jacques Offenbach, Renate Holm, Willy Mattes, Munich Radio Orchestra | G Major | 2 | 9B | 85 BPM | ||
Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr | Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers | C Major | 4 | 8B | 84 BPM | ||
Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt | Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 75 BPM | ||
Martha · Oper in 4 Akten (1986 Digital Remaster), Dritter Akt: Laßt mich euch fragen (Entre-Akt [Orchester] & Plumkett - Chor) | Friedrich von Flotow, Anneliese Rothenberger, Robert Heger, Bavarian State Orchestra | G Major | 2 | 9B | 119 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,) | Nico Dostal, Rupert Glawitsch, Anneliese Rothenberger | G Major | 2 | 9B | 78 BPM |
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