Nico Dostal, Rupert Glawitsch, Anneliese Rothenberger made "Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,)" available on September 29, 2014. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 34 in Dostal: Clivia by Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Rupert Glawitsch, Anneliese Rothenberger. Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Clivia: Heiratsszene. Dialog 7 (Juan, Clivia,) by Nico Dostal, Rupert Glawitsch, Anneliese Rothenberger is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act Two: Aria Ali: Unter Palmen Schlief Ich Ein - opera | Manhattan School of Music Opera Theater | D Major | 0 | 10B | 85 BPM | ||
Avinu Malkeinu | Max Janowski, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
世界名曲:第五號匈牙利舞曲 | 蔡榮吉, 李淑雲, 吳爾笠 | G Minor | 2 | 6A | 149 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
La forza del destino: Overture | Alberto Lizzio, Süddeutsche Philharmonie | E Minor | 2 | 9A | 78 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM |
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