Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero made "Los gavilanes, Acto II: Amigos, siempre amigos" available on August 16, 2019. With Los gavilanes, Acto II: Amigos, siempre amigos being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ataúlfo Argenta, José Perera, Orquesta de Cámara de Madrid, Coros Cantores de Madrid, Toñy Rosad's "Los gavilanes (Zarzuela en tres actos)" album is number 6 out of 13. Based on our statistics, Los gavilanes, Acto II: Amigos, siempre amigos's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Los gavilanes, Acto II: Amigos, siempre amigos by Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Rey Que Rabió: "Al monarca esperamos" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Agustin S. Luque, Coro General, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
La Boda de Luis Alonso | Orquesta Sinfónica Española | A Major | 3 | 11B | 112 BPM | ||
La Corte del Faraón: "Introducción" | Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica | E♭ Major | 2 | 5B | 68 BPM | ||
Diez Melodías Vascas: Amorosa (II) - Remastered | Jesús Guridi, Ataúlfo Argenta, Orquesta Nacional De España | C Minor | 3 | 5A | 80 BPM | ||
El Año Pasado por Agua: "Vals: De los Mares Rey Me Llaman" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 4 | 6B | 96 BPM | ||
Mazurca de las Sombrillas | Coros Famosos De Zarzuelas | B♭ Major | 4 | 6B | 79 BPM | ||
Golondrón | Anibal Vela | C Major | 2 | 8B | 123 BPM | ||
La Corte del Faraón: "Preludio"- "Bebe, Bebe, Mi Señor"-"Son las Mujeres de Babilonia" | Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica | E♭ Major | 2 | 5B | 68 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM |
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