Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica's 'La Corte del Faraón: "Introducción"' came out on December 2, 2013. With La Corte del Faraón: "Introducción" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zarzuela: La Corte del Faraón by Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica. The song's track number on the album is #2 out of 11 tracks. Based on our data, Spain was the country where this track was produced or recorded. La Corte del Faraón: "Introducción" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Corte del Faraón: "Introducción" by Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La Corte del Faraón: "Introducción" being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
Miña Nai por Me Casare (En Gallego) | G. Tarragó, Victoria de los Ángeles, Renata Tarragó | G Major | 2 | 9B | 86 BPM | ||
Lucia di Lammermoor, Act I: Ah, verranno a te sull'aure | Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Talens: Dunia Piris - En Directo | Jove Banda Simfònica de la FSMCV | F Minor | 3 | 4A | 72 BPM | ||
Voluntarios | Orquesta Y Coros Montilla | C Major | 6 | 8B | 128 BPM | ||
Cruz de Mayo (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | G Minor | 4 | 6A | 107 BPM | ||
Tango de Menegilda | Nati Mistral | A Minor | 3 | 8A | 143 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
Step By Step | Byron McKay | G Major | 1 | 9B | 142 BPM |
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