"L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo" by Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky was released on July 15, 2014. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romantic Serenade". In this album, this song's track order is #7. L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo by Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Le Cid: Andalouse: III. Aragonaise | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | G Major | 1 | 9B | 76 BPM | ||
España, Op.236 | Émile Waldteufel, Vienna Volksoper Orchestra, Franz Bauer-Theussl | F Major | 2 | 7B | 128 BPM | ||
Gymnopédie No. 2 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 159 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 3. Romance | Benjamin Britten, Ensemble Allegria | B♭ Major | 2 | 6B | 97 BPM | ||
Strauss & Co. - Live | André Rieu, Johann Strauss Orchestra | C Major | 10 | 8B | 127 BPM | ||
Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F Major | 2 | 7B | 108 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
世界名曲:第五號匈牙利舞曲 | 蔡榮吉, 李淑雲, 吳爾笠 | G Minor | 2 | 6A | 149 BPM |
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