Albert Lortzing, Bamberg Symphony, Hans Gierster made "Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz)" available on March 1, 1967. The duration of Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) is about 3 minutes long, at 3:22. Based on our data, "Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Albert Lortzing, Bamberg Symphony, Hans Gierster's "Lortzing: Zar und Zimmermann - Highlights" album is number 12 out of 13. On top of that, Germany appears to be the country where this track was created. The popularity of Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) by Albert Lortzing, Bamberg Symphony, Hans Gierster to be Presto (very, very fast) because the track has a tempo of 189 BPM, a half-time of 94BPM, and a double-time of 378 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | ||
Kyrie in D, MWV A 3 | Felix Mendelssohn, Sonntraud Engels-Benz, Bamberg Symphony, Kammerchor Stuttgart, Frieder Bernius | C Major | 1 | 8B | 78 BPM | ||
Hermione, Op. 40 (Excerpts): Entr'acte | Max Bruch, Bamberg Symphony, Robert Trevino | E Major | 2 | 12B | 115 BPM | ||
バレエ組曲「シルヴィア」/ディヴェルティスマン;ピッツィカート | ウィーン・フォルクスオーパー管弦楽団/ジョセフ・レオ・グルーバー(指揮) | E♭ Major | 1 | 5B | 133 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | B Major | 2 | 1B | 127 BPM | ||
Variation 8: Poco presto | Johannes Brahms, Bamberg Symphony, Robin Ticciati | C Minor | 1 | 5A | 108 BPM | ||
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
Missa solemnis Nr.1 Es-dur "Freischütz Messe": IV. Offertorium "Gloria et honore" | Carl Maria von Weber, Krisztina Laki/Jan-Hendrik Rootering/Bamberger Symphoniker/Chor Der Bamberger Symphoniker/Horst Stein/Marga Schiml/Josef Protschka, Horst Stein, Bamberg Symphony | G Major | 0 | 9B | 91 BPM | ||
Symphony No. 3 in F Major, Op. 153, "Im Walde": II. Abteilung: In der Dammerung. Traumerei: Largo | Joachim Raff, Bamberg Symphony, Hans Stadlmair | A♭ Major | 0 | 4B | 76 BPM |
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