Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner made "A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns" available on January 1, 1983. With A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Arleen Auger, Ann Murray, Ambrosian Singers, Philharmonia Orchestra, Sir Neville Marriner's "Mendelssohn: A Midsummer Night's Dream" album is number 10 out of 11. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns by Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto | Caspar Da Salo Quartet | F Major | 1 | 7B | 82 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16b, Pas de deux de Fanny Elssler. Girl's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 186 BPM |
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