Francesco Paolo Tosti, Enrico Caruso, Josef Pasternack's 'L'alba separa dalla luce l'ombra - Take 2' came out on 1990. The duration of L'alba separa dalla luce l'ombra - Take 2 is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. L'alba separa dalla luce l'ombra - Take 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. L'alba separa dalla luce l'ombra - Take 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'alba separa dalla luce l'ombra - Take 2 by Francesco Paolo Tosti, Enrico Caruso, Josef Pasternack is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 3: Nemico della Patria? | Umberto Giordano, Leo Nucci, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | E Minor | 2 | 9A | 72 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Kopstoot - Hebbe Remix | Sweepa, Francesco Paolo Tosti, Hebbe | F♯ Minor | 6 | 11A | 140 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Io son l'amore canzone notturna | Francesco Paolo Tosti, Maria Bagalà, John Viscardi, Glenn Morton | A Major | 1 | 11B | 68 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM |
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