"Concerto piccolo, Op. 35: I. Preludio e scherzo" by Bo Linde, Nordic Chamber Orchestra, Christian Lindberg was released on April 1, 2007. With this song being about 5 minutes long, at 4:37, "Concerto piccolo, Op. 35: I. Preludio e scherzo" by Bo Linde, Nordic Chamber Orchestra, Christian Lindberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Nielsen: Suite / Linde: Concerto Piccolo / Leifs: Variazioni Pastorali / Sibelius: Impromptu". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Concerto piccolo, Op. 35: I. Preludio e scherzo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto piccolo, Op. 35: I. Preludio e scherzo by Bo Linde, Nordic Chamber Orchestra, Christian Lindberg having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: III. Musette. Larghetto | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 3, Les graces | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
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