"Approaching The House / Come On You Guys / Unhappy Birthday / Body In The Bath" by Stanley Myers, Hans Zimmer had its release date on December 23, 2022. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Approaching The House / Come On You Guys / Unhappy Birthday / Body In The Bath's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Zero Boys: Original Motion Picture Soundtrack". In this album, this song's track order is #4. Approaching The House / Come On You Guys / Unhappy Birthday / Body In The Bath is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Approaching The House / Come On You Guys / Unhappy Birthday / Body In The Bath by Stanley Myers, Hans Zimmer having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
The Swan | Camille Saint-Saëns, James Galway | G Major | 1 | 9B | 71 BPM | ||
White Water | Karl Jenkins | F Major | 2 | 7B | 119 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Oblivion (Arr. for Violin, Cello & Accordion) | Astor Piazzolla, Matthias Well, Maria Well, Zdravko Živkovic | C Minor | 2 | 5A | 171 BPM | ||
Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | E♭ Major | 0 | 5B | 125 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM |