"Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme" by Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic was released on March 29, 2019. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rota: Works for Harp". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme by Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Buongiorno Principessa (From "La vita è bella") | Nicola Piovani, Luigi Piovano, Archi di Santa Cecilia | A Major | 0 | 11B | 82 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Liszt / Transc. Lenaerts: Les Préludes, S. 97, Pt. 1 | Franz Liszt, Anneleen Lenaerts | G Major | 0 | 9B | 167 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
Schubert: Cello Sonata in A Minor, D. 821, "Arpeggione": III. Allegretto | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | E Major | 1 | 12B | 121 BPM | ||
Schubert: Ave Maria, D. 839 | Franz Schubert, Julie Berthollet, Guillaume Vincent | B♭ Major | 1 | 6B | 134 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM |
Section: 0.6224827766418457
End: 0.6271553039550781