Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti made "Albinoni: Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro" available on January 1, 1968. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 7 - 12 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albinoni: Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Albinoni: Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro by Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | A Minor | 2 | 8A | 80 BPM | ||
Symphony No.23 in D Major K.181(162b): 2. Andantino grazioso | Wolfgang Amadeus Mozart, Norichika Iimori, Pacific Philharmonia Tokyo | B Major | 8 | 1B | 133 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Vivaldi Four Seasons (Autumn) | Italian Music Players | E Major | 1 | 12B | 94 BPM | ||
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R (Version for Two Violins): I. Allegro | Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson | C Minor | 2 | 5A | 94 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | B Minor | 1 | 10A | 100 BPM | ||
Dido and Aeneas, Z. 626: Act II Scene 1: Prelude for the Witches | Henry Purcell, Kirsten Flagstad, Elisabeth Schwarzkopf, Eilidh McNab, Arda Mandikian, Sheila Rex, Anna Pollak, Thomas Hemsley, David Lloyd, Mermaid Singers, Mermaid Orchestra, Geraint Jones | B♭ Major | 1 | 6B | 93 BPM |
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