Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper's 'Himmelskonig, sei willkommen, BWV 182: Sonata' came out on February 1, 2011. With Himmelskonig, sei willkommen, BWV 182: Sonata being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 13 in Bach: Cantatas BWV 131 and 182 by Johann Sebastian Bach, Thomas Gropper. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Himmelskonig, sei willkommen, BWV 182: Sonata is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Himmelskonig, sei willkommen, BWV 182: Sonata by Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzert Nr. 3 F-dur \"Der Herbst\" Op. 8 Rv 293 Ad | Felix Ayo | A Major | 0 | 11B | 86 BPM | ||
Concerto in B-Flat Major, Op. 6 No. 11: V. Giga. Vivace | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | A♭ Major | 2 | 4B | 62 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9 No. 11: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | F Major | 3 | 7B | 101 BPM | ||
Sonata for two Cellos in E Minor: II. Allegro | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | B♭ Minor | 1 | 3A | 130 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Flute Sonata in E Minor: II. Siliciano | Wilhelm Friedemann Bach, Markus Bronnimann, Jean Halsdorf, Léon Berben | G Major | 0 | 9B | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM |
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