Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's ' "Solo de Concert No. 5, Op. 91" was released on its scheduled release date, January 1, 2000. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Italy. The popularity of Solo de Concert No. 5, Op. 91 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Solo de Concert No. 5, Op. 91 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
Le Decameron des Jeunes Clarinettistes, 2e Suite: No. 20, Cavatine de Norma - Arr. pour Clarinette seule by H. Klosé | Hyacinthe Eléonore Klosé, Vincenzo Bellini, Luigi Magistrelli | E♭ Major | 0 | 5B | 115 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 9 | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 78 BPM | ||
Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto | Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey | D Major | 1 | 10B | 112 BPM | ||
Bozza Aria pour Saxophone Alto Mib et Piano | Masato Kumoi, Tomoko Nakachi | G Minor | 1 | 6A | 76 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Suíte Brasileira: Valsa de Esquina | André Mehmari, Anderson César Alves | A Major | 2 | 11B | 160 BPM |