Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien's '12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 9' had a release date set for March 30, 2018. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien's "Mozart: Violin Sonatas Nos. 19, 28, 35 (K. 302, 380 & 526) etc." album is number 12 out of 28. On top of that, United Kingdom appears to be the country where this track was created. 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 9 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 9 by Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantazia of Foure Parts | Orlando Gibbons, Mishka Rushdie Momen | A Minor | 0 | 8A | 64 BPM | ||
Mozart a 9 anni - Elaborazioni per orchestra d'epoca: 5. Allegro in D Minor (Londoner Skizzenbuch n.20, K.15u) | Salvatore Sciarrino, Wolfgang Amadeus Mozart, Orchestra di Padova e del Veneto, Marco Angius | F Major | 0 | 7B | 76 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 3, Elegy. Andantino | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | A Major | 2 | 11B | 91 BPM | ||
Clarinet Sonata in B-Flat Major, Op. 1: I. Allegro Moderato - On early Boxwood Clarinet | Jean Xavier Lefevre, Luigi Magistrelli, Sumiko Hojo | A Minor | 1 | 8A | 116 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183] | François Couperin, Giovanni Mazzocchin | B♭ Major | 1 | 6B | 149 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
Entr'acte No. 5 - Duo-Art 8004 | Andre Ernest Gretry, Arthur De Greef, Peter Phillips | B♭ Major | 1 | 6B | 136 BPM | ||
Alt-Wiener Tanz C | Franz Xaver Gruber, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM |