Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay's 'Serenade in C Major, Op. 10: I. Marcia: Allegro' came out on July 15, 2014. With Serenade in C Major, Op. 10: I. Marcia: Allegro being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 13 in Dohnanyi / Weiner: Chamber Music by Laszlo Barsony, Karoly Botvay, Jenő Jandó, Andras Kiss. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Based on our statistics, Serenade in C Major, Op. 10: I. Marcia: Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in C Major, Op. 10: I. Marcia: Allegro by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: I. Andante molto | Clara Schumann, Yoshika Masuda, HyeJin Kim | D♭ Major | 0 | 3B | 88 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Piano Quintet No. 2 in E-Flat Minor, Op. 26: I. Allegro non troppo | Ernst von Dohnányi, Marc-André Hamelin, Takács Quartet | B Major | 1 | 1B | 115 BPM | ||
Sonata in B-flat Major, No. 2: I. Grave | Arcangelo Corelli, Dénes Kovács, Ede Banda, Janos Sebestyen | G Minor | 3 | 6A | 117 BPM | ||
Sextet for piano, violin, viola, cello, clarinet & horn, Op.37: 4. Finale: Allegro vivace, giocoso | Ernst von Dohnányi, András Schiff, Gábor Takács-Nagy, Andras Fejér, Gabor Ormai, Radovan Vlatkovic, Kalman Berkes | G Major | 3 | 9B | 73 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | F Minor | 0 | 4A | 81 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
Der Schwanendreher: II. Nun laube, Lindlein, laube! - Fugato: Der Gutzgauch auf dem Zaune sass | Paul Hindemith, Laszlo Barsony, Hungarian State Orchestra, Miklós Erdélyi | A♭ Major | 0 | 4B | 84 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM |
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