Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey made "Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto" available on January 1, 2008. The duration of Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Thomas Fey's "Haydn, J.: Symphonies, Vol. 9 - Nos. 70, 73, 75" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto by Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Sieben letzten Worte unseres Erlösers am Kreuze Hob. XX:1: Introduzione | Joseph Haydn, Emil Klein | D Minor | 2 | 7A | 115 BPM | ||
Rondo Fresco Ungaria per corno di bassetto e ottetto di fiati | Georg Druschetzky, Luigi Magistrelli, Italian Classical Consort | F Major | 1 | 7B | 136 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Quartet in F Minor, Op. 28: III. Tempo di Mazurka | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | E Major | 1 | 12B | 91 BPM | ||
Symphony No. 96 in D Major, Hob. I:96 "The Miracle": IV. Finale. Vivace assai | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | D Major | 1 | 10B | 93 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Album Leaf for Jean Kunz in C Major, JB 1:22 | Bedřich Smetana, Jitka Čechová | D♭ Minor | 1 | 12A | 82 BPM | ||
Der Winter: "Dann bricht der große Morgen an" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor | C Minor | 0 | 5A | 69 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM |
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