"Xerse, Act II Scenes 7, 9 & 10: Sciocco è ben chi crede a femina - Arsamene, ove andate? - V'inchino - Live" by Francesco Cavalli, Gaia Petrone, Aco Bišćević, Carlo Vistoli, Dioklea Hoxha, Orchestra Barocca Modo Antiquo, Federico Maria Sardelli was released on December 1, 2023. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 33 in Cavalli: Xerse (Live) by Francesco Cavalli, Carlo Vistoli, Ekaterina Protsenko, Gaia Petrone, Carolina Lippo, Dioklea Hoxha, Federico Maria Sardelli, Orchestra Barocca Modo Antiquo. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Xerse, Act II Scenes 7, 9 & 10: Sciocco è ben chi crede a femina - Arsamene, ove andate? - V'inchino - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Xerse, Act II Scenes 7, 9 & 10: Sciocco è ben chi crede a femina - Arsamene, ove andate? - V'inchino - Live by Francesco Cavalli, Gaia Petrone, Aco Bišćević, Carlo Vistoli, Dioklea Hoxha, Orchestra Barocca Modo Antiquo, Federico Maria Sardelli is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Marais: Pièces de viole, Livre IV, Suite d'un goût étranger: La Rêveuse | Marin Marais, Jean Rondeau, Myriam Rignol | E Minor | 0 | 9A | 47 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Predieri: Scipione il giovane, Act 3: "Dovrian quest'occhi piangere" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 2 | 10B | 79 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil | Francesco Cavalli, Marie-Frédérique Girod, Caroline Meng, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM |
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