Henri Rabaud, Louis Fourestier Orchestra, Louis Fourestier, Roger Bourdin, André Vessieres, Pierre Froumenty made "Mârouf, savetier du Caire, Act II: A travers le désert (Mârouf, Le Vizir, Le Sultan) - 1951 Version" available on January 1, 2017. With this song being about 5 minutes long, at 5:27, "Mârouf, savetier du Caire, Act II: A travers le désert (Mârouf, Le Vizir, Le Sultan) - 1951 Version" by Henri Rabaud, Louis Fourestier Orchestra, Louis Fourestier, Roger Bourdin, André Vessieres, Pierre Froumenty is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 34 in the song's album "Rabaud: Mârouf, savetier du Caire (1951 Version)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, Mârouf, savetier du Caire, Act II: A travers le désert (Mârouf, Le Vizir, Le Sultan) - 1951 Version is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Mârouf, savetier du Caire, Act II: A travers le désert (Mârouf, Le Vizir, Le Sultan) - 1951 Version by Henri Rabaud, Louis Fourestier Orchestra, Louis Fourestier, Roger Bourdin, André Vessieres, Pierre Froumenty having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Summer Evening | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | D Major | 0 | 10B | 175 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Dvorák: Serenade for Strings, Op. 22, B. 52: I. Moderato | Antonín Dvořák, English Chamber Orchestra & Sir Charles Mackerras, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM |
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