Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" - Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes Information

Acousticness: 97%
Danceability: 42%
Energy: 1%
Instrumentalness: 0%
Liveness: 25%
Loudness: 50%
Speechiness: 5%
Valence: 8%
Popularity: 5%
Loudness: -29.765 dB

Summary

"Le Corsaire: Act II - "18. Scene: Pirates Trap Medora"" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes was released on October 14, 2011. With Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 18 out of 70. In terms of popularity, Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" BPM

We consider the tempo marking of Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Le Corsaire: Act II - "18. Scene: Pirates Trap Medora" Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La bayadère, Act II: "Variazione Solor"	Silvano Belfiore	D Major	4	10B	77 BPM
The Sleeping Beauty, Op. 66 : L'oiseau Bleu Et La Princesse Florine (Variation II) (The Blue Bird and Princess Florine)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	F Major	1	7B	121 BPM
Pelléas et Mélisande, Op.80: 2. Andantino quasi Allegretto (La Fileuse)	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	166 BPM
Cello Concerto No. 2 in B Minor, Op. 50: I. Allegro	Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss	B Minor	2	10A	113 BPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction	Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth	F Major	1	7B	107 BPM
Paquita: Allegro	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	A Major	2	11B	122 BPM
Carnival of the Animals, R. 125: Pianists	Camille Saint-Saëns, Gaby Casadesus, Philippe Entremont, Yo-Yo Ma	C Minor	1	5A	90 BPM
Act II. Waltz, Odetta's variations, the Dance of the small swans	Moscow New Philharmonic Orchestra, Vladimir Ponkin	A Major	0	11B	181 BPM
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz	Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar	G Major	3	9B	194 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8304877281188965

End: 0.8353147506713867