Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov made "Paquita: Allegro" available on January 1, 1995. The duration of Paquita: Allegro is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Paquita: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Boris Spassov's "Minkus, L.: Bayadere (La) / Paquita [Ballets]" album is number 15 out of 30. On top of that, United States appears to be the country where this track was created. Based on our statistics, Paquita: Allegro's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Paquita: Allegro by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 85 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | F Major | 1 | 7B | 162 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
Le Corsaire: Act I - "8. Pas de Trois des Odalisques: 3 Odalisques" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 174 BPM |
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