"Miserere mei, Deus a 5 (Cantiones Sacrae, 1591)" by William Byrd, Owain Park, The Gesualdo Six was released on March 30, 2018. The duration of Miserere mei, Deus a 5 (Cantiones Sacrae, 1591) is about 3 minutes long, at 3:26. Based on our data, "Miserere mei, Deus a 5 (Cantiones Sacrae, 1591)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 17 in English Motets: From Dunstaple to Gibbons by The Gesualdo Six, Thomas Tallis, Owain Park, William Byrd, Thomas Tomkins, John Sheppard, Robert White, John Dunstable, Thomas Morley, John Taverner, William Cornysh I, Orlando Gibbons, Robert Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Miserere mei, Deus a 5 (Cantiones Sacrae, 1591) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Miserere mei, Deus a 5 (Cantiones Sacrae, 1591) by William Byrd, Owain Park, The Gesualdo Six is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 88 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Byrd: Mass for Five Voices - 05. Qui Propter Nos Homines | William Byrd, Peter Phillips, The Tallis Scholars | E Major | 1 | 12B | 78 BPM |
Section: 0.7002875804901123
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