Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto's 'Piano Trio in A Minor, Op. 50, TH 117: IIg. Tema con variazioni. Var. 4, L'istesso tempo' came out on August 18, 2017. With Piano Trio in A Minor, Op. 50, TH 117: IIg. Tema con variazioni. Var. 4, L'istesso tempo being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Tchaikovsky: Piano Trio, Op. 50". In this album, this song's track order is #6. Piano Trio in A Minor, Op. 50, TH 117: IIg. Tema con variazioni. Var. 4, L'istesso tempo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio in A Minor, Op. 50, TH 117: IIg. Tema con variazioni. Var. 4, L'istesso tempo by Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Autumn Dream | Archibald Joyce, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI | F♯ Major | 2 | 2B | 178 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
Violin Concerto "Distant Light": Cadenza III | Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 2 | 6B | 141 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. post. (arr. for cello and piano) | Frédéric Chopin, Gregor Piatigorsky, Kousay H. Mahdi Kadduri, Oszkár Morzsa | F♯ Minor | 0 | 11A | 116 BPM | ||
Tchaikovsky: 6 Pieces, Op. 51: VI. Valse sentimentale | Pyotr Ilyich Tchaikovsky, Gérard Caussé, Brigitte Engerer | G Major | 0 | 9B | 135 BPM |
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