Rudolf Mauersberger, Dresdner Kreuzchor, Dresdner Philharmonie, Gothart Stier, Markus Ritschel, Christoph Klingner, Michael-Christfried Winkler's 'Christvesper, RMWV 7: Psallite' came out on October 1, 1993. With Christvesper, RMWV 7: Psallite being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rudolf Mauersberger, Dresdner Kreuzchor, Gothart Stier, Dresdner Philharmonie's "Mauersberger: Christmas Eve Service with the Dresden Kreuzchor" album is number 19 out of 28. In terms of popularity, Christvesper, RMWV 7: Psallite is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Christvesper, RMWV 7: Psallite by Rudolf Mauersberger, Dresdner Kreuzchor, Dresdner Philharmonie, Gothart Stier, Markus Ritschel, Christoph Klingner, Michael-Christfried Winkler to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie | Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning | D Major | 1 | 10B | 82 BPM | ||
Mozart: Mass No. 15 in C Major, K. 317, "Coronation Mass": I. Kyrie. Andante maestoso - Più Andante (Chorus, Soprano, Tenor) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | E Minor | 3 | 9A | 75 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM | ||
Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Te Deum, K. 141 | Wolfgang Amadeus Mozart, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | C Major | 2 | 8B | 121 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: II. Hail! Bright Cecilia | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM |
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